{"id":1362,"date":"2018-10-26T03:39:09","date_gmt":"2018-10-26T03:39:09","guid":{"rendered":"https:\/\/amateurmusic.org\/info\/?page_id=1362"},"modified":"2021-01-17T00:04:43","modified_gmt":"2021-01-17T00:04:43","slug":"mm-neq-feb-2019","status":"publish","type":"page","link":"https:\/\/amateurmusic.org\/coda\/resources\/mm-neq-feb-2019\/","title":{"rendered":"Discover Mendelssohn Octet"},"content":{"rendered":"<h1>\n\t\twith the New Esterh\u00e1zy Quartet\n\t<\/h1>\n\t<h2>February 19 &amp; 21, 2019 at 7pm<br \/>\n<\/h2>\n<h2>\n\t\tWorkshop Resources \n\t<\/h2>\n\t<h2>Hello!<\/h2>\n<p>We are delighted you will be joining us for a special strings workshop.<\/p>\n<p>Here are all the details you will need and resources to help you prepare.<\/p>\n\t<h3><strong>Event Logistics<br \/>\n<\/strong><\/h3>\n<p><strong>Tuesday &amp; Thursday, February 19 &amp; 21,\u00a02019 <\/strong><\/p>\n<p><strong>7 pm<\/strong><\/p>\n<strong>Location:\u00a0<\/strong>Drew School, 2901 California Street (at Broderick), San Francisco<br \/>\nPlease come to the MAIN ENTRANCE on California Street. Doors will open at 6:30.\n<p><strong>What to bring:<\/strong>\u00a0Your instrument, a music stand, and your music.<\/p>\n<p><strong>Attire:<\/strong>\u00a0Dress code is casual\/comfortable. Please refrain from wearing scented products such as perfume or hair spray.<\/p>\n<p><strong>Parking: <\/strong>Parking is difficult in this residential neighborhood. We highly recommend public transit: the 1-California and the 24-Divisadero lines both stop just a block away at California and Divisadero. If you must drive, please allow plenty of time to find parking.<\/p>\n<h2>\n\t\tA message from our mentors, the New Esterh\u00e1zy Quartet:\n\t<\/h2>\n\t<p>Whether the notorious (and glorious!) Mendelssohn Octet is an old friend, a new acquaintance or a total stranger to you, welcome! NEQ will offer some historically-informed perspective on one of the most exuberant and well-loved works in all of chamber music, along with practical suggestions for solving some of the problems typically encountered. Modern performance tradition for the Octet can sometimes become a liability, resulting in an unleavened and monochromatic reading. A fresh look at articulation, balance, bowings and phrase direction can breathe new life into your approach to this irresistible work of young genius.<\/p>\n\t<h3>Download your Music<\/h3>\n<p>Please download and print your part and bring it with you to the workshop.<\/p>\n<p>Break-out coaching sessions will focus on the first two movements, and the workshop will culminate with a reading of the entire work.<\/p>\n<p><strong>PLEASE NOTE: in this workshop, all will be playing at standard concert pitch (440).<\/strong><\/p>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vln_I.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViolin 1\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vln_II.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViolin 2\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vln_III.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViolin 3\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vln_IV.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViolin 4\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vla_I.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViola 1\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vla_II.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tViola 2\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vcl_I.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tCello 1\n\t\t\t\t\t<\/a>\n\t\t\t<a href=\"\/info\/wp-content\/uploads\/workshops\/octet\/Vcl_II.pdf\" target=\"_blank\" role=\"button\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\tCello 2\n\t\t\t\t\t<\/a>\n\t<strong><img loading=\"lazy\" src=\"..\/..\/wp-content\/uploads\/NEQseated-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/>New\u00a0Esterh\u00e1zy Quartet\u00a0<\/strong>has been performing the works of Haydn and his contemporaries on historical instruments since 2007, with occasional excursions into 20th and 17th century repertoire. Members Kati Kyme, Anthony Martin, William Skeen and Lisa Weiss are leading players on the international early music stage. The ensemble has recorded four Haydn CDs, a work by Hungarian composer Imre Sz\u00e9keley, and\u00a0their latest release, a recording of Schubert\u2019s monumental G major quartet. NEQ produces an annual subscription series in San Francisco, Berkeley and Palo Alto, and teaches a popular classical chamber music workshop every summer. For more information, please visit their website:\u00a0<a href=\"http:\/\/www.newesterhazy.org\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.newesterhazy.org&amp;source=gmail&amp;ust=1540689005598000&amp;usg=AFQjCNG18XfaOX-i_MVAouNQq1Bmrtsnzg\">www.newesterhazy.org<\/a>.<strong><br \/>\n<\/strong>\n\t\t\t<a href=\"#\" id=\"fl-accordion--label-0\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-0\">Kati Kyme, Violins 1 &#038; 2<\/a>\n\t\t\t\t\t\t\t<a href=\"#\" id=\"fl-accordion--icon-0\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-0\"><i>Expand<\/i><\/a>\n\t\t<p>KATI KYME has enjoyed decades of chamber music with The New Esterhazy Quartet, The Artaria Quartet, The Yale New Music Quartet and the Berkeley String Quartet. She has participated and taught at the Humboldt Chamber Music Workshop from ages 14-19, performed quartets at Yale at Norfolk, the San Luis Obispo Mozart Festival, the Santa Fe, NM Chamber Music Festival, the Seattle Early Music Guild, the Teton Music Festival, the Spoleto Festival and many more. She finds the greatest happiness in making music with a coterie of friends.<\/p>\n\t\t\t<a href=\"#\" id=\"fl-accordion--label-1\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-1\">Lisa Weiss, Violins 3 &#038; 4<\/a>\n\t\t\t\t\t\t\t<a href=\"#\" id=\"fl-accordion--icon-1\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-1\"><i>Expand<\/i><\/a>\n\t\t<p>LISA WEISS has been playing quartets since middle school and was the first person in North America to earn an MM in chamber music. In addition to NEQ, she currently performs with Cantata Collective and as a concertmaster with Philharmonia Baroque. She is an avid amateur naturalist and also enjoys gardening, hiking, and creative projects.<\/p>\n\t\t\t<a href=\"#\" id=\"fl-accordion--label-2\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-2\">Anthony Martin, Violas<\/a>\n\t\t\t\t\t\t\t<a href=\"#\" id=\"fl-accordion--icon-2\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-2\"><i>Expand<\/i><\/a>\n\t\t<p>ANTHONY MARTIN\u00a0has performed the Mendelssohn 8tet half a dozen times, playing 3 of the 4 violin parts and one of the viola parts. The most memorable was the first time, in Boston many years ago, as lead violin in an ensemble with 7 women who could not seem to get along or agree on anything. He has hopes that in spite of the heavily caffeinated nature of Mendelssohn&#8217;s music this workshop will be congenial and harmonious!<\/p>\n\t\t\t<a href=\"#\" id=\"fl-accordion--label-3\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-3\">William Skeen, Cellos<\/a>\n\t\t\t\t\t\t\t<a href=\"#\" id=\"fl-accordion--icon-3\" tabindex=\"0\" aria-controls=\"fl-accordion--panel-3\"><i>Expand<\/i><\/a>\n\t\tWILLIAM SKEEN performs as Principal Cellist with Philharmonia Baroque Orchestra and American Bach Soloists.\u00a0 He has served as Principal Cellist with Musica Angelica (Los Angeles), Portland Baroque Orchestra, Pacific MusicWorks, and Bach Collegium San Diego.\u00a0 William has also appeared as continuo cellist with the Los Angeles Philharmonic, San Diego Opera, and the Los Angeles Master Chorale.\u00a0 In addition, William has soloed on the viola da gamba with the Dallas Symphony, Los Angeles Master Chorale, Carmel Bach Festival, Oregon Bach Festival, Musica Angelica,\u00a0 Orquestra Nacional de Mexico, and the American Bach Soloists. \u00a0He has served on the faculty of University of Southern California Thornton School of Music since 2000.\u00a0 Mr. Skeen is co-founder of the Cantata Collective, and one-to-a-part ensemble devoted to presenting all of J.S. Bach&#8217;s cantatas to the East Bay community\u00a0 free of charge.\n","protected":false},"excerpt":{"rendered":"<p>with the New Esterh\u00e1zy Quartet February 19 &amp; 21, 2019 at 7pm Workshop Resources Hello! We are delighted you will be joining us for a special strings workshop. Here are all the details you will need and resources to help you prepare. Event Logistics Tuesday &amp; Thursday, February 19 &amp; 21,\u00a02019 7 pm Location:\u00a0Drew School, 2901 California Street (at Broderick), San Francisco Please come to the MAIN ENTRANCE on California Street. Doors will open at 6:30. What to bring:\u00a0Your instrument,&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":334,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Discover Mendelssohn Octet - Amateur Music Network<\/title>\n<meta name=\"description\" content=\"Information and resources for flute workshop with Linda Lukas. 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