{"id":4434,"date":"2020-09-19T22:42:39","date_gmt":"2020-09-19T22:42:39","guid":{"rendered":"https:\/\/amateurmusic.org\/info\/?p=4434"},"modified":"2020-09-24T00:08:31","modified_gmt":"2020-09-24T00:08:31","slug":"blogpostgwenmok","status":"publish","type":"post","link":"https:\/\/amateurmusic.org\/coda\/blogpostgwenmok\/","title":{"rendered":"Playing in Harmony: What Makes a Successful Musical Collaboration?"},"content":{"rendered":"\n

What does it take to collaborate musically? How do you find a musical collaborator who\u2019s right for you?<\/strong><\/p>\n

In anticipation of our September 26 online conversation about collaboration with pianist Gwendolyn Mok<\/a>, we chatted with Robert Howard<\/a>, who will moderate the conversation. Robert is an accomplished cellist who has collaborated with Gwen and other pianists in performance and on recording; during the workshop, he and Gwen will play excerpts from Beethoven\u2019s Cello Sonata in g-minor and Rachmaninoff\u2019s Sonata in g-minor for Cello and Piano.<\/p>\n

\"\"

Gwen Mok and Robert Howard, taking a rehearsal break.<\/p><\/div>\n

What\u2019s the difference between an accompanist and a collaborator?<\/strong><\/p>\n

I think of a collaborator as an equal partner\u2014someone who will make things interesting without drowning out the other performer.<\/p>\n

Occasionally with some virtuoso repertoire you want an accompanist who\u2019ll stay in the background. But for the workshop Gwen and I deliberately picked pieces that have some involved piano parts, so Gwen can have an opportunity to shine.<\/p>\n

How do you find the right collaborator? <\/strong><\/p>\n

The best way is through a trusted musical acquaintance\u2014sort of a matchmaker\u2014who will make an introduction. Or you might find someone through a chamber-music workshop, a reading session, or a house party. Speaking for myself, I have to hear the person play. I can usually tell within a few lines if there\u2019s potential there.<\/p>\n

How have you and Gwen prepared for the September 26 workshop?<\/strong><\/p>\n

Gwen and I have played together previously\u2014last year I was one of five cellists who played the five Beethoven cello sonatas with her. Because of the pandemic, we\u2019ve prepared mostly by talking on the phone and having a Zoom cocktail hour. But we finally got together to rehearse in the same room on September 16, at her house in Berkeley. We\u2019ll do the online workshop from my house in San Francisco. In both places there\u2019s plenty of room to be safely distanced!<\/p>\n

\"\"

Gwen and her masked pup, Pippa.<\/p><\/div>\n

You normally have an intense performance schedule. Obviously, that hasn\u2019t been happening because of COVID. How have you been keeping busy and engaged?<\/strong><\/p>\n

There have been a few silver linings, one of them being how everything\u2019s so international now. I\u2019ve been taking lessons from a very fine cellist in Berlin, and I\u2019ve been teaching students in Kenya and Colombia.<\/p>\n

And I\u2019ve appreciated all the creative content on Instagram. YoYo Ma posts<\/a> something almost every day\u2014speaking of great collaborations, he\u2019s played via Zoom with a singer in Mali, some musicians in China, the Syrian clarinetist Kinan Azmeh, and many other people. Pablo Ferr\u00e1ndez<\/a> is an excellent Spanish cellist with a very active Instagram account. And Nathan Chan<\/a>, who\u2019s a Bay Area native and the youngest member of the Seattle Symphony, recently posted a video of his performance of \u201cTake Me Out to the Ball Game\u201d before a San Francisco Giants game at T-Mobile Park!<\/p>\n

_<\/p>\n

Follow Robert on Instagram at @rhowardcello.<\/p>\n

Learn more about Gwendolyn Mok on her website<\/a>.<\/p>\n

.<\/p>\n","protected":false},"excerpt":{"rendered":"

What does it take to collaborate musically? How do you find a musical collaborator who\u2019s right for you? In anticipation of our September 26 online conversation about collaboration with pianist Gwendolyn Mok, we chatted with Robert Howard, who will moderate the conversation. Robert is an accomplished cellist who has collaborated with Gwen and other pianists in performance and on recording; during the workshop, he and Gwen will play excerpts from Beethoven\u2019s Cello Sonata in g-minor and Rachmaninoff\u2019s Sonata in g-minor…<\/p>\n","protected":false},"author":1,"featured_media":3942,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[23,18,27,14],"tags":[],"yoast_head":"\nPlaying in Harmony: What Makes a Successful Musical Collaboration? - Amateur Music Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Playing in Harmony: What Makes a Successful Musical Collaboration? - Amateur Music Network\" \/>\n<meta property=\"og:description\" content=\"What does it take to collaborate musically? How do you find a musical collaborator who\u2019s right for you? In anticipation of our September 26 online conversation about collaboration with pianist Gwendolyn Mok, we chatted with Robert Howard, who will moderate the conversation. Robert is an accomplished cellist who has collaborated with Gwen and other pianists in performance and on recording; during the workshop, he and Gwen will play excerpts from Beethoven\u2019s Cello Sonata in g-minor and Rachmaninoff\u2019s Sonata in g-minor…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/\" \/>\n<meta property=\"og:site_name\" content=\"Amateur Music Network\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/amateurmusicnetwork\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-19T22:42:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-24T00:08:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/amateurmusic.org\/coda\/wp-content\/uploads\/Gwen-and-Robert-cropped-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2105\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@AmateurMusicNet\" \/>\n<meta name=\"twitter:site\" content=\"@AmateurMusicNet\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/amateurmusic.org\/coda\/#website\",\"url\":\"https:\/\/amateurmusic.org\/coda\/\",\"name\":\"Amateur Music Network\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/amateurmusic.org\/coda\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/amateurmusic.org\/coda\/wp-content\/uploads\/Gwen-and-Robert-cropped-scaled.jpg\",\"width\":2105,\"height\":2560,\"caption\":\"Pianist Gwendolyn Mok and cellist Robert Howard\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/#webpage\",\"url\":\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/\",\"name\":\"Playing in Harmony: What Makes a Successful Musical Collaboration? - Amateur Music Network\",\"isPartOf\":{\"@id\":\"https:\/\/amateurmusic.org\/coda\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/#primaryimage\"},\"datePublished\":\"2020-09-19T22:42:39+00:00\",\"dateModified\":\"2020-09-24T00:08:31+00:00\",\"author\":{\"@id\":\"https:\/\/amateurmusic.org\/coda\/#\/schema\/person\/f2a462afda8d476364c42f534635ea5e\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/amateurmusic.org\/info\/blogpostgwenmok\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/amateurmusic.org\/coda\/#\/schema\/person\/f2a462afda8d476364c42f534635ea5e\",\"name\":\"amnadmin\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/amateurmusic.org\/coda\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fae4cb6a0cc2eba2ebe9b0f85f5f7bee?s=96&d=mm&r=g\",\"caption\":\"amnadmin\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/posts\/4434"}],"collection":[{"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/comments?post=4434"}],"version-history":[{"count":9,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/posts\/4434\/revisions"}],"predecessor-version":[{"id":4514,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/posts\/4434\/revisions\/4514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/media\/3942"}],"wp:attachment":[{"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/media?parent=4434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/categories?post=4434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/amateurmusic.org\/coda\/wp-json\/wp\/v2\/tags?post=4434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}