{"id":12463,"date":"2022-03-19T10:14:37","date_gmt":"2022-03-19T17:14:37","guid":{"rendered":"https:\/\/amateurmusic.org\/info\/?p=12463"},"modified":"2022-04-08T11:27:15","modified_gmt":"2022-04-08T18:27:15","slug":"blogpostbillskeen2022","status":"publish","type":"post","link":"https:\/\/amateurmusic.org\/info\/blogpostbillskeen2022\/","title":{"rendered":"Cello mentor William Skeen uses his inside voice"},"content":{"rendered":"\t\t
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For William Skeen, it\u2019s all about the tone quality.<\/strong><\/p>

As a period instrument specialist, Bill is used to having to coax the sound out of his cello. \u201cIt\u2019s just more difficult on gut strings,\u201d he explains. \u201cYou work on resonance, and you don\u2019t have vibrato as an extra tool to warm up the sound, so you have to do it all yourself while working with these strings which are very temperamental.\u201d With period-accurate equipment it\u2019s also much harder to stay in tune. So why would someone want to make a career in period instrument performance at all?<\/p>

Bill was drawn to the intimacy of the sound and performance style. \u201cYo-Yo Ma goes to the Hollywood Bowl and plays (the Bach suites) for 20,000 people! You have to have a certain (kind of) tone to do that. But these Baroque instruments are naturally suited to a very small room. When I play these pieces I prefer to keep them intimate and use my inside voice.\u201d<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Learn more in this preview video!<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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To learn more about period instruments, check out our blog post \u201cA New Way to Perform Old Music<\/strong><\/a>.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ATTEND ONLINE<\/strong><\/p>

Online participants will be part of the conversation, adding questions and comments in real time. And all registered participants will receive a video link to the workshop recording.<\/p>

Tickets are $20.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tREGISTER NOW<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/p>\n

DATES, TIMES, AND TOPICS<\/strong><\/p>\n

Tuesday, March 8, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 1 \u2013 Oliver Herbert<\/strong><\/p>\n

Tuesday, March 15, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 5 \u2013 Robert Howard<\/strong><\/p>\n

Tuesday, March 22, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 2 \u2013 Jean-Michel Fonteneau<\/strong><\/p>\n

Tuesday, March 29, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 6 \u2013 William Skeen<\/strong><\/p>\n

Tuesday, April 5, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 4 \u2013 Bonnie Hampton<\/strong><\/p>\n

Tuesday, April 12, 2022 | 5:30 p.m. Pacific<\/em><\/p>\n

     Suite no. 3 \u2013 Stephen Harrison<\/strong><\/p>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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For William Skeen, it\u2019s all about the tone quality. As a period instrument specialist, Bill is used to having to coax the sound out of his cello. \u201cIt\u2019s just more difficult on gut strings,\u201d he explains. \u201cYou work on resonance, and you don\u2019t have vibrato as an extra tool to warm up the sound, so […]<\/p>\n","protected":false},"author":3,"featured_media":12591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23,13,27,22,14],"tags":[],"class_list":["post-12463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mentors","category-early-music","category-strings","category-musictalk","category-workshops"],"acf":[],"yoast_head":"\nCello mentor William Skeen uses his inside voice - Amateur Music Network<\/title>\n<meta name=\"description\" content=\"Looking forward to our workshops in the Imagine series - exploring the Bach Cello Suites. 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