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Four Wednesday nights, April 20 - May 11, 2022 | 5:30 p.m. Pacific

Essential Repertoire
Piano Conversations with Paul Hersh
What the music means

Join us in a four-session online workshop with master musician Paul Hersh for conversations about essential piano repertoire with four pianist-colleagues. You’ll get a revealing inside look at how musicians find meaning in playing.

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Event Video

Enjoy this highlight from Laura Magnani’s session on Chopin! Then unlock the full video in our gallery.
See below for more highlights and unlock links.

About the Event

Dates, Times, and Topics

Wednesday, April 20, 2022 | 5:30 p.m. Pacific
Ludwig van Beethoven
Piano Sonata, Op. 109 (1820) – 3. Theme and Variations
Pianist: Christopher Basso

Wednesday, April 27, 2022 | 5:30 p.m. Pacific
Franz Schubert
Drei Klavierstucke, D. 946 (1828) – No. 1  Allegro assai
Pianist: Hye Yeong Min

Wednesday, May 4, 2022 | 5:30 p.m. Pacific
Frederic  Chopin
Ballade No. 3 in A-Flat Major, Op. 47 (1841)
Pianist: Laura Magnani

Wednesday, May 11, 2022 | 5:30 p.m. Pacific
Maurice Ravel
Miroirs (1905) – 3. Une barque sur l’ocean 

Pianist: Monica Chew

WORKSHOP MODERATOR: Catherine Angelo

Who should attend?

Everyone who loves piano music – or music in general! – and wants to be part of a conversation about this great repertoire.

How should I prepare?

There are numerous recordings available if you wish to listen in advance, but you don’t need to study up: just come prepared for an hour of stimulating musical fun.

Is there a cost?

4-week package: $65
Individual session: $20

How do I attend?

You’ll attend online via Zoom, and all participants will be part of the conversation, adding questions and comments to this live event.

Register for all tickets at Eventbrite using the registration button. Once registered, you’ll receive an email with a link to your personal access page.

All registered participants will receive video links from the workshop.


 

Thank you to the Ross McKee Foundation for their support of this workshop and to Nancy Quinn and Tom Driscoll for hosting our sessions.

About the Mentor

A native of New York, Paul Hersh has played both the piano and viola since he was six years old. He studied viola with William Primrose and piano with Leonard Shure and Edward Steuermann. From 1961 to 1971 he was violist and pianist with the Lenox Quartet, and he made his piano debut at Carnegie Recital Hall in 1964. Mr. Hersh has performed with many orchestras, including the Boston and San Francisco Symphonies and the New York Philharmonic, as well as in chamber groups and solo recitals. Hersh, who attended Yale University, is a former faculty member of Grinnell College and SUNY at Binghamton, and has been artist-in-residence and visiting faculty at numerous universities and festivals, including the University of California at Davis, Temple University, Oregon State University, University of Western Washington, Berkshire (now Tanglewood) Music Festival, Aspen Music Festival and the Spoleto (Italy) Festival.

As a decades-long member of the piano and viola faculty of the San Francisco Conservatory of Music, he has inspired many generations of musicians through his unique humanist approach to music-teaching.

 

For the past several years Paul has been hosting a weekly piano class for his student/colleagues. They play music they’re working on, listen and discuss together, and explore the meaning of the music from a pianist’s point of view. Our workshops will invite you into this conversation and give all a chance to be part of this musical conversation.

 

The pianists:

 

Christopher Basso

Christopher Basso’s piano performances have been heralded as “riveting, with a multi-dimensional array of colors and shapes” (San Francisco Classical Voice) and “undeniably extraordinary” (Wilmington News Journal). In 2000, Christopher Basso was named First Place Prizewinner in the Second International Van Cliburn Competition for Outstanding Amateurs in Ft. Worth, Texas. 

Basso has performed in the Bay Area with local artists, including violinists Ian Swensen and Krista Bennion Feeney, violist Jodi Levitz, cellists Jennifer Culp and Jean-Michel Fonteneau, pianists Robin Sutherland and Keisuke Nakagoshi, and the Ives Quartet.

As an educator, Christopher imparts in his students a lifelong appreciation for music, helping nurture creative examination and practice, and guiding students in finding a standard for self-expression while striving for personal fulfillment of the highest artistic caliber.

 

Hye Yeong Min
Hye Yeong Min traded her science career in 1997 for the pursuit of her lifelong passion for music. She began piano lessons at age six and continued to study piano with Naomi Sparrow and chamber music with Bonnie Hampton at Stanford University where she majored in biology. After earning her Ph.D. as a molecular biologist at Harvard, Hye Yeong worked in biotech developing a novel approach to treating cancer. Deeply committed to music education, Hye Yeong has been active in organizing concerts and scholarship competitions for students through the Contra Costa Performing Arts Society, where she served as president, and founded a chamber music festival for high school students. She also chairs the Emerging Artists Fund of the Berkeley Piano Club, which aids young artists on the cusps of their professional careers. As a returning student in 2007, Hye Yeong completed her master’s degree in Chamber Music at the San Francisco Conservatory of Music, studying piano with Paul Hersh, and has performed with Kim Kashkashian, Ian Swensen, and Bonnie Hampton. In 2012, she performed with Paul Hersh at the Olympic Music Festival in Washington state, Mendocino Music Festival, and the Moab Music Festival in Utah. She currently performs in the Bay Area as a solo pianist and chamber musician and enjoys teaching.

Laura Magnani

Laura has performed since the age of 15, touring Italy, Europe, USA and Canada both as a soloist and in Chamber Ensembles, to the enthusiasm of audiences and acclaim of critics.She has attended Master Classes in Salzburg, Brussels, Rome, and Perugia with many eminent pianists. She performed in the Spoleto Festival of Two Worlds at the personal invitation of Gian Carlo Menotti and has been invited to perform repeatedly at the Spoleto Festival USA in Charleston (SC) as an Ambassador of her hometown. Also skilled as an organizer, she directed the Spoleto Piano Festival for 15 years. Her versatile talent keeps her busy in the fields of Opera, Musical Theatre and Vocal repertoire as well as in Music Education. She has taught Piano, Chamber Music and Vocal training for more than 25 years.

 

 

Monica Chew
Monica Chew (https://monicachew.com) is an Oakland pianist and composer. In 2017 she released her first solo album, Tender and Strange, featuring works by Bartók, Janáček, Messiaen, Takemitsu, and Scriabin. A “gifted player with an affinity for deeply sensitive expression” (Whole Note), she has been featured on radio stations worldwide. She started composing in 2017 and couldn’t be happier about it.  Prior to 2015, she worked nearly a decade as a principal software engineer on security and privacy at Mozilla and Google. She lives in Oakland with her husband, an 1899 Steinway B, a clavichord, and a disused violin.

 

Our moderator:

 

Catherine Angelo

An Australian-born pianist based in San Francisco, Catherine is an alum of the San Francisco Conservatory of Music (SFCM), where she studied with Scott Foglesong and Peggy Salkind. She met her husband and piano duo partner, Anthony at the Music and Arts Institute of San Francisco where the founder and director, Ross McKee first paired them as a piano duo. The Angelo Piano Duo was developed and refined at SFCM under the direction of the distinguished piano duo, Milton and Peggy Salkind. The duo’s international career includes performances in Australia, England, Italy, Latvia, Lithuania, Russia, Ukraine, and the United States. The Angelos have toured Russia and other Eastern European countries six times and, on several occasions, they were the first American artists to perform for these audiences. Influenced by the artistic and cultural experiences of performing at international piano duo festivals in Europe and Russia, the Angelo Duo founded The San Francisco International Music Festival organization and launched a San Francisco based international festival that would capture the spirit of the Eastern European festivals and highlight the seldom-heard piano duo genre. With critical acclaim from SF Classical Voice, “duos to die for at the Salkind Piano Duo Festival” – the five successful Salkind International Piano Duo Festivals honored the legacy of Milton & Peggy Salkind and featured forty international piano duos and 150 Bay Area young artists. In 2004, Catherine and Anthony were the recipients of the Mill Valley Art Commission’s Milley Award for Achievement in the Musical Arts.

 

Workshop Materials

Download the music

Beethoven: Op. 109, 3rd movement

Schubert: Drei Klavierstucke, no. 1

Link to the online viewer for Schubert’s autograph manuscript of this piece. Note that the second trio is crossed out! (page 4)

Chopin: Ballade No. 3

Ravel: Une barque sur l’ocean

Workshop Video Excerpts

    Session 1: Beethoven with Chris Basso

    Session 2 – Schubert with Hye Yeong Min

    Session 3 – Chopin with Laura Magnani

    Session 4 – Ravel with Monica Chew

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