Author: Lolly Lewis

Maker:0x4c,Date:2017-11-29,Ver:4,Lens:Kan03,Act:Lar01,E-Y
Categories
Community Orchestra and Symphonic Music

Orchestra music is Awesöme!

I had such a great experience at the Awesöme Orchestra reading that I just can’t resist telling you about it. Awesöme is a collective that presents open readings for local musicians. It’s all about people having fun playing orchestra music – how is that not great???

The reading I attended was of the Kyrie movement of Requiem without Words, a beautiful new work by local composer Arturo Rodriguez that was written in response to the Ghost Ship tragedy in 2016. Which made it all the more resonant for me: current music with community impact and meaning, played by community members — for the joy of playing.

Find out more about Awesöme Orchestra Collective on the AMN website

Categories
Community Talking about Music

17 reasons to love amateur musicians!

A friend just sent me this great article by Ariane Todes! You should read the whole thing HERE. Ariane is a terrific writer who lives in London and runs the website Elbow Music. Check it out!!

17 ways amateur musicians contribute to the classical music world:

  1. We go to concerts
  2. We offer solo performing opportunities for young stars, orchestral players and international celebrities who need try-out gigs
  3. We support venues by booking concerts in them and usually filling them up
  4. We promote classical music to our non-music friends who might never have engaged before
  5. We commission composers and perform new works
  6. We raise money for charity
  7. We hire music from orchestral libraries
  8. We buy gear – strings, music, accessories, cases, sheet music
  9. We buy instruments – old and new. (Judging by some of the intense conversations I’ve had about modern instruments, there seems to be more openness and enthusiasm towards them in amateur orchestras than among professionals)
  10. We benefit local schools by paying to rehearse in their halls. (We’re usually desperate to find good rehearsal spaces. Are you listening, whoever is planning Simon Rattle’s new concert hall?)
  11. We offer an alternative outlet for conservatoire students who choose not to become professionals
  12. We pay musicians for lessons
  13. We influence young musicians – whether as parents, relatives or friends
  14. We support young conductors, both through concerts and masterclasses
  15. We offer chances for recording engineers to practise their skills
  16. We support young players by going to their concerts, spreading the word and lending them instruments
  17. We support the local economy. (Rehearsals usually end in the pub.)