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Community Talking about Music

Coming Back to Music After Years Away

Blogger Ekta Saha was inspired to write this piece about the experience of dipping her toes back into the waters of music-making. Welcome back, Ekta, the water’s fine!

The things we abandon in the name of growing up have a way of finding us again. If we let them.

There is a particular kind of guilt that follows ambition everywhere. It’s not loud or dramatic. A quiet steady hum that sits beneath everything you do.

The kind that reminds you, on a random evening, that you used to play. That you used to sing. That somewhere between the deadlines and the promotions and the relentless forward motion of building a career, you stopped.

I stopped at twenty-one. Not on purpose. There was no goodbye, no conscious decision. Music just slowly got crowded out by everything that felt more urgent, more serious, more adult. And I let it go like you let go of a lot of things in your twenties without fully realizing you’re letting them go.

For years I told myself it was fine. I was busy. I was building something. There would be time later.

But later took a while to show up.

The hardest part wasn’t starting again. It was letting myself believe I could.

When I finally decided to come back to music, like really come back, not just hum along to a song in the car – the first thing I felt was not excitement. It was an irrational discomfort at the idea of being a beginner at something I once knew. At sitting with an instrument and relearning what once felt effortless. At wanting something that didn’t feel “age-appropriate” anymore to the world around me.

That last part is what I want to talk about. Because nobody said it out loud. Nobody told me that I was too old or too late. But the feeling was there anyway, this quiet cultural whisper that learning certain things has a window, and if you missed it, you missed it.

I almost believed it.

We’ve been taught that learning belongs to the young. That belief is quietly damaging in ways we rarely acknowledge.

What changed everything was not a sudden burst of confidence. It was people. Those who cheered me on without judgment. Who said “of course you can” like it was obvious. People who showed up for my fumbling early attempts the same way they would have shown up for a polished performance.

I cannot overstate how much that mattered. When you are coming back to something after years away, especially past the age where society tells you learning is supposed to happen – encouragement is not a nice-to-have. It is the whole thing. It is the difference between quitting after week two and actually staying.

Support, it turns out, is not just emotional scaffolding. It is the structure that makes growth possible. Without it, most adult learners don’t fail because they lack ability. They fail because they run out of reasons to keep going when it gets hard and uncomfortable and slow.

With it, something different happens. You start to trust the process. You show up even on the days you feel silly. You begin to measure progress not against some standard of where you should be but against where you were last week.

And slowly, without really noticing, you start to get better.

Coming back to learning as an adult is not about recapturing something lost. It is about discovering what you are capable of now with everything you have become.

I can’t help but think of all the people sitting quietly with something they once put down – a language, an instrument, a subject, a skill – telling themselves it is too late. That the window has closed. That wanting it now, at this age, in this season of life, is somehow indulgent or naive.

I want to tell every single one of them: the wanting is the point. It’s a sign that it still belongs to you. The right support. The right people, the right environment, the right voice that says you can do this. Can make all the difference between a dream that stays on the shelf and one that finally gets to breathe.

It is not too late. It is just a different kind of beginning.

One without the illusion of urgency. One without the pressure to be instantly good at something that deserves time. One where learning is slower, quieter, more deliberate and somehow more honest for it.

We are not meant to begin once. We are meant to begin as many times as it takes with whatever courage we can gather in the moment.

If there is anything worth holding onto then it is this: the life you want is not something you age out of. It is something you return to whenever you decide to.

 

Ekta Saha is the Lead Content Marketer at Wiingy. She holds an MBA in Marketing. She works at the intersection of strategy and storytelling, figuring out how to create content that resonates and reaches the right audience. Beyond the brief, she is learning to play the piano and is always looking for new ways to experience music, from singing to exploring indie and acoustic tracks.

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Community Jazz and Beyond - Non-Classical Music Talking about Music Vocal and Choral Music Workshops

Sharing the Tradition

June is African-American Music Appreciation Month and AMN celebrates that Black music is the foundational American music. The centuries-old tradition of singing spirituals has imbued our culture with its fundamental musical character, spreading into the blues and jazz of the early 20th century and beyond, to inspire folk songs, protest songs, and popular music of all kinds. African-American music also excited classical music composers like Dvořák and Debussy, not to mention our home-grown classical artists like Gershwin and Bernstein, inspiring them to incorporate the melodies and rhythmic ideas of Black music into the broad European tradition.

So should all Americans, and non-Americans, too, be able to learn this music and participate with joy in singing spirituals? It seems simple—and yet…

Some of us feel sensitive about these boundaries, and personally I don’t want to misstep. Does it appropriate someone else’s culture to love singing this music? Can those of us outside the tradition join with our fellow Americans in this fundamentally joyous experience without taking anything away from the personal histories of the enslaved people and their descendants who created this music? 

I stopped by the rehearsal for AMN’s Song Circle session featuring Cary Sheldon and Dr. Candace Y. Johnson, and I got to hear them running through the traditional spirituals that we’ll be singing on June 7, and also at AMN’s 3rd annual Juneteenth Choral Celebration on June 19.

We took a quick break to talk for a moment about spirituals, our deep connections to this music, and how we can honor this musical tradition with humility and respect, and with the joy and love that it naturally brings. 

Enjoy this engaging conversation that affirms our love for the music and for singing it together!

Soprano Candace Y. Johnson, DMA, has been on the voice faculty at the University of California-Berkeley since 2009, teaching applied voice classes and a musicology course she designed based on her research and performance of works by African-American composers.

Lolly Lewis is the founder of Amateur Music Network.

June 2023 events with Amateur Music Network

June 7: First Wednesdays Song Circle with Cary Sheldon

June 19: Juneteenth Choral Celebration with Candace Johnson and Kev Choice

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AMN mentors Community Talking about Music Vocal and Choral Music Workshops

Meet Song Circle Mentor Cary Sheldon

Old friends are the best! AMN’s Lolly Lewis and her long-time pal Cary Sheldon are thrilled to be collaborating on Song Circle, the new online sing-along event premiering Wednesday, March 1, and returning the first Wednesday of April, May, and June.

Cary’s background is as eclectic as her song choices: Growing up in Cambridge, MA, she was surrounded by music of many styles—in her family of devoted music-lovers, at schools that nourished her natural love of performance, and in a community that supported her musical vitality.

Cary and Lolly got together via Zoom recently to talk about the workshop, to which “Everyone is welcome!”

The workshop format is unique. A small group of singers will convene live in Cary’s living room, while everyone else will sing along online. Cary chose the core repertoire from her huge catalog of songs, making sure to include a variety of styles. She also took care to consider accessibility, that the songs would be fun to sing but not too challenging: The idea is to get to the core experience of singing together. For Cary, singing in community is even more gratifying than solo performance. 

Enjoy their whole conversation in this video! 

Cary shares her evolution as a singer.

We both got a little choked up thinking about how so many people have been told they “can’t sing.” Cary testified to how many of her voice students had been told this, only to find their musical identities could bloom with a little bit of encouragement. Being told you can’t sing to being told your voice—and thus your very self—has no worth.

“Everybody’s voice should be heard!” We want everyone to be able sing freely and experience the joy of music in Song Circle.

“It’s all about connection and reclaiming our mutual love for singing around the campfire.”

Judgment-free zone!

So let’s make new friends and keep the old—bring your loved ones, both near and far, to Song Circle on the first Wednesday of the month. See you March 1!

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Community Talking about Music

Share the magic of music

Contribute to a world of shared imaginationin music!

The Amateur Music Network is an open invitation for us all to build human connection through the joy of music. Listening, playing, learning, or sharing music in whatever way you are inspired—the AMN community believes that music changes lives and creates a better world. If you believe that too, and you are able to help us offset the cost of providing workshops at low cost to all who wish to participate, please donate generously today!

As always, we thank you for your support as we continue to offer opportunities for musicians and music lovers everywhere.

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Community Vocal and Choral Music Workshops

Family Sing 2022 with Valérie Sainte-Agathe

Valérie talks about bringing the Martiniquan tradition of Chante Noel to our family and yours!

Join us for our second annual FAMILY SING holiday sing-along with the world-renowned San Francisco Girls Chorus!

SFGC Artistic Director Valérie Sainte-Agathe will lead the in-person and online choirs in holiday favorites and new-to-us music that will warm our hearts during the holiday season. Invite your family and friends to attend at the Kanbar Center for the Performing Arts in San Francisco, or sing together online. This is a great way to connect with loved ones who live far away! Invite family and friends from wherever they are to join via Zoom and let the joy of singing together kick off the holiday season. 

Attend online or in-person at Kanbar Center
44 Page Street, San Francisco

IN PERSON: Adults $25, youth ages 10-18 $12.50
IN-PERSON FAMILY PACKAGE: Bring the whole family for $50
ONLINE ONLY: $15