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AMN mentors Orchestra and Symphonic Music Talking about Music Workshops

Meet Conductor Edwin Outwater

Catching up with Edwin Outwater can be a schedule buster! He has so many assignments and projects in the works that he rarely stops for long in one place. I recently sat down over Zoom with this peripatetic musician to preview his upcoming online conversation with AMN Curator David Landis (October 23 at 2 p.m.). Edwin made time for me while in Miami to conduct a “Welcome Back” concert with the New World Symphony Fellows. He had just completed producing the Kennedy Center 50th Anniversary Celebration, where he was responsible for wrangling more than 70 artists from all genres and styles into “one concert with a coherent narrative and message of what the performing arts are in America in 2021.” If you’ve seen the PBS broadcast, you know it was a great success.

We talked about what he hopes to focus on during our upcoming online conversation, and what makes him inspired about the future.

EO: I’m now beginning my second year as music director of the San Francisco Conservatory of Music, and the first year was COVID year, and we did all sorts of interesting projects, so maybe talking about what we did during COVID, and also where the institution is headed, which I think is a super exciting thing for people here in San Francisco and the Bay Area. And I think that’s kind of where a lot of my attention is at the moment. And also, what is the direction of the arts in San Francisco, there’s a lot of change right now, a lot of new conductors, I am almost the elder statesman now, and what is my take as someone who’s been around a while in the arts scene. And what I see happening in the near future, and maybe not so near future with the arts in general in the city.

AMN: I just love all the different facets of what you’re doing musically, Edwin, and for me, building community and bringing people together to enjoy music and and promote our music community is really important, so I think that all the things that you’re doing are actually kind of tying into that. Not that you’re specifically working on community advocacy, but it’s a natural conduit to connect people.

EO: Yeah, I really appreciate your saying that, because in the background I am thinking about that – but it’s also just me having fun, and getting to do what I love to do and not being afraid or worried about how I’m perceived, or you know, resisting whatever label people try to put on the position, which is something I’ve managed to pull off for most of my career so far. And now, to go from drag to heavy metal to Schubert V this week is something I’m very lucky to be able to do.

AMN: Yes, and we are all lucky to be along for the ride!

Get a preview of our workshop as Edwin talks with AMN Founder Lolly Lewis about some recent projects and what’s on his schedule for the future.

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AMN mentors Early Music and Period Instruments Piano Strings: Violin, Viola, Cello, Bass Workshops

Meet Pianist Eleonor Bindman

From the very first notes of the Prelude, we enter the world of Bach’s cello suites with wonder – it’s almost like walking out on a perfectly clear night and seeing the sky full of stars. Oh, to be a cellist with the mastery to play in that sonic universe!

Pianist Eleonor Bindman has felt that amazement and has distilled it for you into a piano edition that is perfect for amateur pianists – and for anyone who loves Bach and wants to learn more. 

“Anybody who plays [Bach becomes] a channel for his amazing spirit,” says Bindman. “You really feel like you’re getting something more than just the enjoyment of music: it can be a very transformative, spiritual experience.”

Bindman has arranged several of Bach’s works, including the Brandenburg Concertos (for piano duet) and selections from cantatas and orchestral suites, as well as favorites from the music of Mussorgsky and Tchaikovsky. As a teacher, she is a committed advocate for amateur music-making, and says of amateur musicians, “You’re doing something you love – it’s not your job, you don’t have to do it – so you need to have repertoire that you love to play, and that isn’t going to take you weeks and months to learn.” 

AMN concurs! And we are looking forward to exploring the starry skies of Bach with her on September 25. 

Get a preview of our workshop as Eleonor talks with AMN Founder Lolly Lewis about her Bach arrangements and what she hopes people will take away from the experience.

Listen to Eleonor play her arrangement of the Prelude to Suite no. 1.

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AMN mentors Composers Jazz and Beyond - Non-Classical Music Talking about Music Workshops

Meet Harpist Destiny Muhammad

Wait, isn’t the harp a classical instrument? How does that fit into the history and practice of jazz?

Harpist Destiny Muhammad looks forward to telling you all about it in her workshop on Saturday, September 18. Destiny has been inspired by her musical “mothers” Alice Coltrane and Dorothy Ashby to forge her unique identity as a jazz musician and creative artist. 

Destiny will share her passion for the fundamentals of jazz embodied in the “standards” repertoire that was her musical springboard, launching her creative journey from performing with her jazz trio to curating programs for the San Francisco Symphony. She recently received a prestigious digital residency grant from Chamber Music America, and the journey continues!

Get a preview of our workshop as Destiny talks with AMN Founder Lolly Lewis about her influences and what she hopes people will take away from the experience.

Destiny’s Teaching Artist Concert at SFJAZZ .

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AMN mentors Strings: Violin, Viola, Cello, Bass Workshops

Remembering Michael Morgan

We know you have all heard the terribly sad news about Oakland Symphony music director Michael Morgan, who died on August 20 from complications of a kidney transplant. Our music community has lost a great musician and tireless advocate. AMN founder Lolly Lewis counts herself very fortunate to have had the chance to work with Michael over the years in various capacities and had come to know – and be profoundly influenced by – how deeply committed he was to making music that not only upheld the highest artistic standards, but that included and energized the local community through his programming. Oakland Symphony’s concerts at the Paramount brought out people from all walks of life. It was thrilling to see how powerfully Michael and the Symphony built those deep connections, resulting in a sense of excitement and shared musical joy through symphonic music.

 Michael Morgan was an inspiration and we will all miss the powerful impact of his presence in our music world.

This wonderful profile of a young Michael Morgan was broadcast on ABC’s 20/20 in 1986.

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AMN mentors Strings: Violin, Viola, Cello, Bass Workshops

Meet Cellist Amos Yang

Amos is a San Francisco musician to the bone! Born and raised in San Francisco, he and his violinist brother Perrin were child stars in the San Francisco Conservatory of Music’s prep department. Amos has a long affiliation with the San Francisco Symphony, too: He was in the SFS Youth Orchestra when it was first formed, has been a regular member of the Symphony since 2006, and currently holds the position of assistant principal cello. He’s a dedicated chamber musician as well as a passionate educator, and he balances all these musical paths with an avid enthusiasm for sports and the outdoors. 

In our two-session workshop on July 10 and 17, Amos will talk about how following an intense program of physical training has made him a better musician.

Get to know Amos in these videos and join us this month to tune up your own musical athleticism!

Amos and Lolly preview the workshop.

Amos talks about growing up in San Francisco, his Chinese heritage, and how music can bring us together and help heal what divides us. Then he and Symphony colleague Charles Chandler perform an excerpt from Bariolage, a work commissioned for them by composer Shinji Eshima.