Categories
Community Strings: Violin, Viola, Cello, Bass Talking about Music

Meet Garrett Fischbach, violin and viola teacher

This is a guest post by Nancy Friedman, an AMN volunteer.

We were thrilled when Garrett Fischbach posted his teaching services to our online Listings. Not only does Garrett have 25 years’ experience with three of the most prestigious orchestras in the United States, but he also has a true passion for teaching adult amateurs. Furloughed along with the entire Metropolitan Opera Orchestra and Chorus since March 31, he spoke to us from his home in New York about his teaching and performing philosophy.

What can students expect from your lessons?

I teach enthusiastic intermediate and advanced violin and viola students of all ages who want to improve their skills, either to perform with friends or community orchestras or simply to get more pleasure out of playing.

As the song goes, “If you become a teacher/By your pupils you’ll be taught.” What is something you’ve learned from a student?

I recently went through old files and came across a folder of essays written by my undergraduate Violin Performance students at Mannes School of Music [in New York] in 2010. I had asked the students to write a paragraph or two about their short- and long-term career goals, and one student wrote these very inspiring words: “The other possibility that I have been contemplating is to just live simply, and have the violin and music in general, as a gift to be cherished, rather than an obligation to be mastered.” A decade on, I couldn’t help wonder what this person was up to. I looked him up, and it turns out he has been doing exactly what he said in that sentence he wrote. He is in fact still playing the violin, but very much on his own terms in his own original way, while making a living doing a variety of other fascinating things. His example gives me much inspiration during these uncertain times.

We love the idea of music as “a gift to be cherished.” Can you tell us more?

In the MET Orchestra, we are of course always listening to great singers—both on and off the stage. The English mezzo Dame Janet Baker once gave an interview in which she said something about this idea of “gift.” She acknowledges that she is “gifted,” and says a friend told her that this gift “is hers to enjoy.” We are not all quite as gifted as Janet Baker, but even amateurs have a gift, and that is the love for the music they play. (Listen to the interview with Janet Baker.)

What is a common challenge amateur musicians face?

A lot of the time amateurs don’t realize just how much they can do. All they need is a little bit of prompting from someone who has the keys and opens the door to a lot of technical challenges that they thought were beyond their reach and also a lot of ways of thinking about the music. That’s what professionals can share with amateurs.

Learn more about Garrett Fischbach’s teaching services on our Listings page.

Categories
Community Workshops

Amateur Music Network AT HOME

 


What a crazy time. Even while some segments of our society are able to restore their equilibrium and restart their activities, music is really taking it on the chin. How can we even imagine concerts in a world where people can’t gather? It’s going to be a long time before we get back to normal.

We have to create our own normal, a musical world we can inhabit in the meantime. Hooray for the new tools that allow us to play “together” even though we’re apart. And AMN is not going to stop doing workshops; we just have to do them from a distance. We invite you to join us in a virtual world of music connection.

We still want to connect you with amazing mentors. Our “At Home” series will allow these wonderful artists to welcome you into their worlds. Mentors will still share their passions with you, whether it’s a technique to share and learn, or a conversation about a personal interest that drives a musical life we usually only experience from the stage in performance. And now, with the advantage of online technology, every participant will have the best view in the house. You’ll be able to ask questions and enjoy a flow of information and interaction. It’s not less, it’s different.

We’ve presented two of these workshops so far and we are planning many more. We’re looking forward to some skills-focused sessions with great mentors including Scott Pingel, Evan Price, Nick Platoff, and Sandy Cressman. In June there will be a technical series to help you get up to speed with music recording at home. We’re working on a series of period-instrument workshops. And there will be wonderful conversations with musical luminaries.Take our survey to tell us if there’s a topic you’re particularly interested in exploring! 

We intend to continue offering these workshops as long as we’re forced to stay apart. If they prove valuable enough to stand on their own even when we can return to in-person workshops, they’ll become a permanent part of our AMN offerings.

Amateur Music Network is here for you, and we won’t stop supporting the community in music-making. We continue to look for ways to keep our passion for music alive in a tough time, and hopefully we’ll find them together. So please, as always, stay safe, stay healthy, and stay musical!

Lolly Lewis is a recording producer, amateur singer, and the founder of Amateur Music Network.

Categories
Chamber Music Community Talking about Music

(Take me out to the) music game

photo by Lolly Lewis

They’re renovating the park across from my house. It’s a two-square-block area that includes a playground, a soccer field, and two softball diamonds. I was worried, when they really tore it all out, that they’d use the space for something else, but today it’s almost done and the softball fields, one whole square block, are getting green again. Of course, they don’t seed the field these days; they just roll out huge swaths of lawn. Well, I hope it’s lawn, not plastic, but anyway, from here looking out my window it’s green and it makes me pretty happy. And it reminds me of baseball.

And baseball reminds me of music. No–really. Hear me out.

There was a time, seems like another lifetime now, but I used to be a baseball fan. For several seasons I went to a lot of games, and I have the score books to prove it. 

I love the rhythm of baseball. I love that it simply takes three hours (well, with some pitchers, four), a stretch of time staring at that green expanse of the field that feels like a vacation. Exactly enough time to have the world go away – ahhhhh! – and feel refreshed and ready to dive back into life. And other than your scorebook and pencil, you don’t even have to pack.

I love how the sudden blossoms of action erupt out of nowhere. You take your eyes off the field at your peril. It seems like nothing’s happening, but then, wham! it’s over the fence. And of course, I like a good home run as much as the next guy, as long as the next guy is rooting for my team and it’s my team that hit it. But my favorite thing, by a long stretch, is a double play. There’s something about the way a team moves in the infield, they simply become one thing. They shift together before the pitch, they react together to the hit, partners in this dance, knowing as the ball comes off the bat exactly who will catch, where he’ll throw, where to be and exactly when to be there. Even though, yes they’ve practiced all the permutations a thousand times, still, this time is different, it’s particular, unique. The ball is just the connection between the players, it’s incidental: the infield play is communal, an understanding, a shared breath.

That’s how it’s so much like music. Yes, we all know the notes, and we know what to do, in theory – but when the time comes and you pitch that note, it might be slightly offline and I have to shift without even realizing to catch and pass it on. It’s those instantaneous adjustments that have to happen before you can even know they’re happening, you’re just playing and constantly adjusting to the ball in flight before it even gets hit, you somehow know where it’s going to be and you just be there on time to catch it. 

One time it struck me, watching a string quartet, that they were playing each other’s instruments. Something about the trust between them, and how the musical gestures were passed among them, it really was like the bows were extending across the space between and touching their partners’ strings. Complete mind-sharing. I’ve heard and seen the same thing in jazz, too; it’s the unanimity of impulse and reaction, whether or not every note is written down. 

That’s where the music is: in the rhythm and flow of our minds in complete sync without any possible thought getting in the way. And he’s OUT! Pass me the peanuts and Cracker Jack.

Lolly Lewis is a recording producer, amateur singer, and the founder of Amateur Music Network.

Categories
Community Talking about Music

Kathy Angus: singing like a big girl

This is a guest post by Kathy Angus, a retired SFUSD teacher and former arts administrator.  She is currently on the board of AMN and the Chrysalis Foundation.

I recently retired from teaching in the SFUSD public schools. When I first thought about writing a blog post for AMN, I thought I’d focus on the importance of music as a creative force in kids’ lives. For five years, I worked with a music educator from the SF Opera to create (write, compose, stage) a 15-minute opera, based on a social justice topic my 4th and 5th graders had studied all year. The topics ranged from Immigration to civil rights to the environment. It was one of the most transformative experiences some of my students had during their elementary years. But then I realized it transformed me as well, and actually set me up to pursue something I loved, but dreaded sharing, after I retired.

I realized that I am a recently declared amateur musician who grew confidence to participate in community singing groups because of the musical projects and collaborations in my classroom. It’s so much more relaxing to act and sing with 10-year-olds than with adults, where my voice would dry up. Those notes that were so beautiful in the shower stuck somewhere behind my tongue when in the company of others.

I love music down to my toes. I’ve danced since the day I could walk, so I’m one of those people you hate to sit behind at the Symphony because I’m incessantly bobbing my head to the beat, or tapping my knee, or shaking my shoulders — you know what I mean. What it means to me is that music is in my body, and, over the years, I shared my art with audiences in concerts and musicals. The musicals were a mixed bag, however, since the usual instruction was, “It’s ok, you’re a great dancer, but you don’t need to sing.” After a few of those comments, I was too embarrassed to even try to learn. (And, of course, my kids pleading with me not to sing in the car didn’t help.)

Then one year while I was teaching — by then I was into my 60s — the SF Opera Aria program came into my life. We practiced vocalizing through exercises and songs, and then created our own songs, which years later are still stuck in my brain. With a musician coming into my classroom every week all year, and then practicing with the students in between, I found the miracle of repeated practice that gave me the confidence to join a Community Choir, and then another, and then to start taking voice lessons.

I love AMN for their efforts to spread the joy of amateur music making through their workshops and network tools. Someday, I may be ready for Ragnar Bohlin’s brilliant choral workshops, but for now, I’m happy just singing however I can and appreciating the work and practice it takes to improve.

When I worked for Milton Salkind at the Conservatory of Music, he used to frequently stress that “everyone loves to sing.” How right he was! Let’s sing our way through these difficult times and find the joy that lies inside of us.

Categories
Community

Music resources for when you’re stuck at home

Now that the Corona Pandemic has disrupted our music life we’re reminded how dramatically music plays a part in keeping people’s spirits up. Let’s collect “stay-at-home” music resources here.

Our local (SF Bay Area) musicians are playing and broadcasting their music. Here are some wonderful streams to continue to connect with local artists. Please post ideas below or send via our contact page and we’ll add them to the list.


SF Symphony’s principal oboe Eugene Izotov plays Bach for you:

SFJazz has a great YouTube channel, and so does Voices of Music.

SF Symphony is streaming its great Keeping Score series for free.

Please send us links of your own or to your favorite local artists!

Check out this terrific NPR site that updates worldwide livestreams.

And there are some active learning resources online, too, here’s a violin practice tips blog sent out by CMNC (Chamber Musicians of Northern CA).

If you have any other ideas please post here or send via our contact page to share with your fellow musicians. Or write about your experiences as a stay-at-home musician – we’d love to publish your blog entries. Let’s all stay active while we’re stuck at home.